【Timetable】
All events are open to the public except for the small-group student sessions.
6 May
2016 (Fri) Lecture
Theatre, College of Liberal Arts
and various classrooms, NTU
11:00-11:10
|
Welcome
and Introductory Remarks by Jo-shui Chen (Dean,
|
11:10-12:10
|
Keynote
Speech, Professor Kay Kaufman Shelemay (
|
Lunch
Break
|
|
13:30-15:30
|
Small-Group
Student Sessions, directed by Faculty Supervisors
|
15:30-16:00
|
Coffee
Break
|
16:00-18:00
|
Small-Group
Student Sessions, directed by Faculty Supervisors
|
7 May
2016 (Sat) Lecture
Theatre, College of Liberal Arts ,
NTU
9:30-12:00
|
Individual
Student Presentations and Respondents’ Statements
|
12:00-13:30
|
Lunch
Break
|
13:30-16:00
|
Student Roundtables (on the
themes of each small group)
|
16:00-17:30
|
Twentieth Anniversary
Celebration of the Graduate Institute of Musicology, with remarks by Jen-yen
Chen and alumni of the institute, and snacks and drinks
|
8 May
2016 (Sun) Lecture
Theatre, College of Liberal Arts ,
NTU
09:30-12:00
|
Student
Roundtables (on the pre-announced question)
|
12:00-13:30
|
Lunch
Break
|
13:30-18:00
|
Optional Excursion to Yilan,
including visit to the
|
【Group
Assignments】
Group 1: Music and Technologies of Representation
Supervisors:
Hermann GOTTSCHEWSKI (University of Tokyo ), WANG Yuhwen (National Taiwan
University )
Classroom: Lesyue Building ,
Room 106
BAE
MyoJung (Seoul National University ),
“Performing Images and Fused
Korean Traditional Music (Fusion-Gugak)”
CHUANG
Tzu-Ying (National
Taiwan University ),
“The War that Doesn’t End: Einstürzende
Neubauten’s ‘Bizarre’ World War I Commemoration in the Music/Sound Work Lament”
HUNG
Ke-Hua (National Taiwan University ),
“Sounding Taiwanese Identity: Lim Giong's Electronic
Dance Music Album Insects Awaken”
Johnson
LEOW (Chinese University
of Hong Kong ), “Miramax
and the Re-scoring of Hong Kong Martial Arts Films”
WONG
Ting-yiu (Chinese University of Hong Kong ),
“Yin Zizhong and Friends: The Adaptation of Western
Dance Musical Sound to Cantonese Ensemble Music”
Group 2: Asian Musics in Contemporary Contexts
Supervisors:
Joys Hoi Yan CHEUNG (Chinese University of Hong Kong), YAMAUCHI Fumitaka (National Taiwan University )
Classroom: College of Liberal Arts
Building , Room 20
Stephen
DURAN (Tokyo University of the Arts), “Music and Mobility in the Transnational
Historiography of Notations and Oral Transmission of Buddhist Chant in East Asia : A Proposal for Rediscovering Svarasvasti”
LI
Yingcheng (National Chiao-Tong University ),
“The Representation of Aboriginal Music in the Film Beyond Beauty: Taiwan From
Above: Over or Under?”
LO
Kai-yin (Chinese University
of Hong Kong ), “From Conflict and Amalgamation
to Synthesis: The Use of Pentatonic Trichordal Figures (PTFs) in Tan Xiaolin’s
Chamber Works”
ZHOU
Jing (University
of Hong Kong ), “The Mobility of the Conceptual Boundary in Tang Music: Methodological Issues
in Quoting Historical Materials”
Group 3: Mobility, Space, and Western Art Music
Supervisors:
Jeffrey LEVENBERG (Chinese University of Hong Kong), YANG Chien-Chang (National Taiwan University )
Classroom: Lesyue Building ,
Room 103
CHAN
Hei Tung (University
of Hong Kong ), “The Construction of Identity through Concert
Touring”
CHEN
Chun-Hao (National Taiwan University ),
“Towards a Diverse Interpretation of Courantes: Musical Mobility in Baroque
German-Speaking Europe ”
CHO
You-Kyung (University
of Tokyo ), “The Mobility
of Gustav Mahler’s Symphonies through the Spatialization of Sound”
LEE
Seung-hee (Yonsei University ), “The Reception of Verdi’s Operas in South Korea ”
Hiroshi
OKANO (University
of Tokyo ), “I Speak as a
Traveller: Charles Burney and ‘Present’ Music”
Group 4: Recordings and Mediation
Supervisors:
Kay Kaufman SHELEMAY (Harvard University ), WANG Yingfen (National Taiwan
University )
Classroom: Lesyue Building ,
Room 105
CHEN
Jia-Chi (National
Taiwan University ),
“(Un)Tamed Groovescapes: A
Comparative Investigation of Tsi̍t Tsuá Siunn-si Recordings Across Geopolitical Spheres and
Temporal Spans”
Estela
IBÁÑEZ-GARCÍA (University of Hong Kong ), “‘Musical recordings’ as Mediators of Experiences:
Situating ‘Der Leiermann’ in Ingmar Bergman’s In The Presence of a Clown”
Andrew
TERWILLIGER (Wesleyan University ; National
Taiwan University ,
Fulbright Fellow), “Leekspin’s Erotic Journey from Helsinki to Tokyo :
Memes and Folk Tunes in the Digital Age”
WON
Yusun (Seoul National University ),
“Listening to Art Music in the Age of Digital
Reproduction: A Study of the Listening Culture of Art Music in the Twenty-First
Century”
Group 5: Nationalism and Cosmopolitanism
Supervisors:
YI Hyejin (Sungshin Women’s University), CHEN Jen-yen (National Taiwan
University )
Classroom: Lesyue Building ,
Room 102
LAI
Wan Chi Winnie (University
of Hong Kong ), “Localising ‘Happy Birthday to You’ in Protest: Making Sense of the
‘Nonsense’ in the Umbrella Movement”
LIAO
Yu-Hsuan (National Taiwan University ),
“Western
Classical Music in Political Negotiations during the Cold War: The ‘Music Year’
of the Republic of China
(1967)”
PARK
Hyunyoo (National Taiwan University ),
“‘Folk’ in a NonWestern Context:
The Age of Folk Music in South Korea
and Taiwan ”
XU Lufan (Chinese University
of Hong Kong ), “Through
Faust’s Last Magic: Ferruccio Busoni’s Self-Portrait as a Cosmopolitan Artist
in Doktor Faust”
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