大會議程 Program

Timetable

All events are open to the public except for the small-group student sessions.

6 May 2016 (Fri) Lecture Theatre, College of Liberal Arts and various classrooms, NTU
11:00-11:10
Welcome and Introductory Remarks by Jo-shui Chen (Dean, College of Liberal Arts, NTU) and Jen-yen Chen (Director, Graduate Institute of Musicology, NTU)
11:10-12:10
Keynote Speech, Professor Kay Kaufman Shelemay (Harvard University), “Rethinking Music and Mobility”
12:10-13:30
Lunch Break
13:30-15:30
Small-Group Student Sessions, directed by Faculty Supervisors
15:30-16:00
Coffee Break
16:00-18:00
Small-Group Student Sessions, directed by Faculty Supervisors

7 May 2016 (Sat) Lecture Theatre, College of Liberal Arts, NTU
9:30-12:00
Individual Student Presentations and Respondents’ Statements
12:00-13:30
Lunch Break
13:30-16:00
Student Roundtables (on the themes of each small group)
16:00-17:30
Twentieth Anniversary Celebration of the Graduate Institute of Musicology, with remarks by Jen-yen Chen and alumni of the institute, and snacks and drinks

8 May 2016 (Sun) Lecture Theatre, College of Liberal Arts, NTU
09:30-12:00
Student Roundtables (on the pre-announced question)
12:00-13:30
Lunch Break
13:30-18:00
Optional Excursion to Yilan, including visit to the National Center for Traditional Arts

Group Assignments

Group 1: Music and Technologies of Representation
Supervisors: Hermann GOTTSCHEWSKI (University of Tokyo), WANG Yuhwen (National Taiwan University)
Classroom: Lesyue Building, Room 106

BAE MyoJung (Seoul National University), “Performing Images and Fused Korean Traditional Music (Fusion-Gugak)
CHUANG Tzu-Ying (National Taiwan University), “The War that Doesn’t End: Einstürzende Neubauten’s ‘Bizarre’ World War I Commemoration in the Music/Sound Work Lament”
HUNG Ke-Hua (National Taiwan University), “Sounding Taiwanese Identity: Lim Giong's Electronic Dance Music Album Insects Awaken
Johnson LEOW (Chinese University of Hong Kong), “Miramax and the Re-scoring of Hong Kong Martial Arts Films”
WONG Ting-yiu (Chinese University of Hong Kong), “Yin Zizhong and Friends: The Adaptation of Western Dance Musical Sound to Cantonese Ensemble Music”

Group 2: Asian Musics in Contemporary Contexts
Supervisors: Joys Hoi Yan CHEUNG (Chinese University of Hong Kong), YAMAUCHI Fumitaka (National Taiwan University)
Classroom: College of Liberal Arts Building, Room 20

Stephen DURAN (Tokyo University of the Arts), “Music and Mobility in the Transnational Historiography of Notations and Oral Transmission of Buddhist Chant in East Asia: A Proposal for Rediscovering Svarasvasti”
LI Yingcheng (National Chiao-Tong University), “The Representation of Aboriginal Music in the Film Beyond Beauty: Taiwan From Above: Over or Under?”
LO Kai-yin (Chinese University of Hong Kong), “From Conflict and Amalgamation to Synthesis: The Use of Pentatonic Trichordal Figures (PTFs) in Tan Xiaolin’s Chamber Works”
ZHOU Jing (University of Hong Kong), “The Mobility of the Conceptual Boundary in Tang Music: Methodological Issues in Quoting Historical Materials”

Group 3: Mobility, Space, and Western Art Music
Supervisors: Jeffrey LEVENBERG (Chinese University of Hong Kong), YANG Chien-Chang (National Taiwan University)
Classroom: Lesyue Building, Room 103

CHAN Hei Tung (University of Hong Kong), “The Construction of Identity through Concert Touring”
CHEN Chun-Hao (National Taiwan University), “Towards a Diverse Interpretation of Courantes: Musical Mobility in Baroque German-Speaking Europe
CHO You-Kyung (University of Tokyo), “The Mobility of Gustav Mahler’s Symphonies through the Spatialization of Sound”
LEE Seung-hee (Yonsei University), “The Reception of Verdi’s Operas in South Korea
Hiroshi OKANO (University of Tokyo), “I Speak as a Traveller: Charles Burney and ‘Present’ Music”

Group 4: Recordings and Mediation
Supervisors: Kay Kaufman SHELEMAY (Harvard University), WANG Yingfen (National Taiwan University)
Classroom: Lesyue Building, Room 105

CHEN Jia-Chi (National Taiwan University), “(Un)Tamed Groovescapes: A Comparative Investigation of Tsi̍t Tsuá Siunn-si Recordings Across Geopolitical Spheres and Temporal Spans”
Estela IBÁÑEZ-GARCÍA (University of Hong Kong), “‘Musical recordings’ as Mediators of Experiences: Situating ‘Der Leiermann’ in Ingmar Bergman’s In The Presence of a Clown
Andrew TERWILLIGER (Wesleyan University; National Taiwan University, Fulbright Fellow), “Leekspin’s Erotic Journey from Helsinki to Tokyo: Memes and Folk Tunes in the Digital Age”
WON Yusun (Seoul National University), “Listening to Art Music in the Age of Digital Reproduction: A Study of the Listening Culture of Art Music in the Twenty-First Century”

Group 5: Nationalism and Cosmopolitanism
Supervisors: YI Hyejin (Sungshin Women’s University), CHEN Jen-yen (National Taiwan University)
Classroom: Lesyue Building, Room 102

LAI Wan Chi Winnie (University of Hong Kong), “Localising ‘Happy Birthday to You’ in Protest: Making Sense of the ‘Nonsense’ in the Umbrella Movement”
LIAO Yu-Hsuan (National Taiwan University), “Western Classical Music in Political Negotiations during the Cold War: The ‘Music Year’ of the Republic of China (1967)”
PARK Hyunyoo (National Taiwan University), “‘Folk’ in a Non­Western Context: The Age of Folk Music in South Korea and Taiwan
XU Lufan (Chinese University of Hong Kong), “Through Faust’s Last Magic: Ferruccio Busoni’s Self-Portrait as a Cosmopolitan Artist in Doktor Faust



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